| Note: If you see this text you use a browser which does not support usual Web-standards. Therefore the design of Media Art Net will not display correctly. Contents are nevertheless provided. For greatest possible comfort and full functionality you should use one of the recommended browsers. |
le: 3 Text passages
| Hits |
1.  Golo Föllmer «Audio Art»popular musical elements into art music and involving music in everyday situations in a functional way. Participation In 1929, Bertolt Brecht, Paul Hindemith and Kurt Weill produced the radio opera «Lindberghflug,» which was designed to include the [more]  |
| 2. Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life» not on holistic aspirations but on artistic autonomy and difference. In doing so, they followed on from the argument that Bertolt Brecht used against the Wagnerian Gesamtkunstwerk in his «Notes on the Opera» (1930): «So long as the expression [more] |
| 3. Inke Arns «Social Technologies
Deconstruction, subversion, and the utopia of democratic communication» 1970s media art projects therefore aim consistently at transforming the broadcaster-receiver structure—a demand that Bertolt Brecht had already made in his «Radio Theory» in the 1930s. Hans Magnus Enzensberger brought this up to date in 1970 in [more] |
