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1.  Diedrich Diederichsen «Artists, Auteurs, and Star. On the Human Factor in the Culture Industry»is the opposite of the heterosexual male or female image that s/he embodies, laying bare the lies that various people, from Bertold Brecht to Otto Friedrich, have often accused Hollywood of. However, it is much easier to draw these conclusions from Anger’s [more]  |
| 2. Ivone Margulies «Toward a Corporeal Cinema: Theatricality in the \'70s» content) and those of expressivity and affect (rhythm, tone, etc.) Akerman's litany-like dialogues seem to challenge Brecht's dictum on expressivity: «The three levels—plain speech, heightened speech and singing—must always remain [more] |
