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1. Dieter Daniels «Television-Art or anti-art? Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s»
organized by the Smolin Gallery, took place on May 19, 1963, featuring happenings and actions by Dick Higgins, Chuck Ginnever, Allan Kaprow, Yvonne Rainer, Wolf Vostell and La Monte Young. Vostell's action was called «TV Burying.» In the course of it [more]

2. Dieter Daniels «Television-Art or anti-art? Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s»
is also on, showing the news punctually at 8 p.m., as the action begins. In the 1963 happening «Push and Pull,» Allan Kaprow also invites visitors into a furniture arrangement with a television showing a program in it, [more]

3. Dieter Daniels «Television-Art or anti-art? Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s»
product of work with artists was in 1969, «The Medium Is the Medium,» a program with contributions by Allan Kaprow, Nam June Paik, Otto Piene, James Seawright, Thomas Tadlock and Aldo Tambellini. A really heterogeneous mixture of different [more]

4. Rudolf Frieling «Reality/Mediality Hybrid Processes Between Art and Life»
processes that do not isolate art from life but instead influence life. Allan Kaprow, whose Environment «18 Happenings in 6 Parts» (1959) originated the term «happening,» spoke of the [more]

5. Rudolf Frieling «Reality/Mediality Hybrid Processes Between Art and Life»
At the same time, these artists displayed a decided interest in the technological conditions of society. Artists like Allan Kaprow, John Cage and later the Fluxus artists did not just want to concede chance and indeterminacy a primary role in art, but were [more]

6. Inke Arns «Interaction, Participation, Networking: Art and Telecommunication»
of the performers (who do, however, remain performers). From the late 1950s onward, the Happening[11] art form established by Allan Kaprow went one step further by making the spectators themselves participants, executors and performers of the artistic process (see [more]

7. Inke Arns «Interaction, Participation, Networking: Art and Telecommunication»
in its traditionally passive role (of watching or reading). With the advent of wide Internet access in the 1990s, by contrast, Allan Kaprow's demand for the abolition of spectators could be met, in some degree, for the first time. On the Internet, the possibilities of [more]