| Note: If you see this text you use a browser which does not support usual Web-standards. Therefore the design of Media Art Net will not display correctly. Contents are nevertheless provided. For greatest possible comfort and full functionality you should use one of the recommended browsers. |
author:arns: 3 Texts / 2 Source texts
| Inke Arns | ||
| b 1968 Duisdorf/Bonn (D); PhD at the Humboldt University, Berlin, with a thesis on the reception of the historical avant-garde in artistic projects of the 1980s and 1990s in ex-Yugoslavia and Russia (2003); independent curator; her curatorial work includes «OSTranenie 93», «Minima Media: Medienbiennale,» Leipzig, 1994; «un-frieden. sabotage von wirklichkeiten,» Hamburg, 1996–1997; «body of the message,» Berlin, 1998; «Body and the East,» Ljubljana, 1998; «Soziale Technologien,» Essen, 2003; «IRWIN: Retroprincip 1983-2003,» Berlin, Hagen and Belgrade 2003–2004; besides her books «Netzkulturen» (Net Cultures) and «Neue Slowenische Kunst» (both 2002), she has published widely on issues of net culture and media art; since 2005 director of the hartware medienkunstverein in Dortmund (with Susanne Ackers); lives and works in Dortmund and Berlin. http://www.v2.nl/~arns | ||
| Media | Texts in | |
| Texts | ||
1.  Inke Arns «Interaction, Participation, Networking: Art and Telecommunication» | ||
| 2. Inke Arns «Read_me, run_me, execute_me. Code as Executable Text: Software Art and its Focus on Program Code as Performative Text» | ||
| 3. Inke Arns «Social Technologies» | ||
| Source texts | ||
| 1. Inke Arns «Comparison of generative art and software art» | ||
| 2. Inke Arns «Comparison of generative art and software art» | ||
