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Categories: Sources: 8 Text passages
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1. Verena Kuni «Cyborg configurations as formations of (self-)creation in the fantasy space of technological creation (I): Old and new mythologies of ‹artificial humans›» «A Cyborg Manifesto» that «[a] cyborg is a cybernetic organism, a hybrid of machine and organism, a creature of social reality as well [more] |
2. Verena Kuni «Cyborg configurations as formations of (self-)creation in the fantasy space of technological creation (I): Old and new mythologies of ‹artificial humans›» represent oppression or at least restriction. It is precisely this potential that Donna Haraway highlights in her «A Cyborg Manifesto »: According to Haraway, cyborgs break with the tradition of a creation controlled and dominated by humans, a creation [more] |
3. Verena Kuni «Cyborg configurations as formations of (self-)creation in the fantasy space of technological creation (I): Old and new mythologies of ‹artificial humans›» science fiction novel «He, She and It»—one of the texts that inspired Donna Haraway to write her «Cyborg Manifesto»—Marge Piercy interwove the story of the golem with that of a cyborg in order to expose the trail that leads into [more] |
4. Verena Kuni «Cyborg configurations as formations of (self-)creation in the fantasy space of technological creation (I): Old and new mythologies of ‹artificial humans›» Society for the Arts, Sciences and Technology (ISAST),» who since 1968 has published the journal «Cyborg Manifesto». And it is by no means only artists such as Eduardo Kac who claim for themselves the role of scientist. [more] |
5. Yvonne Volkart «Monstrous Bodies: The Disarranged Gender Body as an Arena for Monstrous Subject Relations» Donna Haraway said, it is no coincidence that monsters are related to the word ‹demonstrate›: that is what they do. This essay [more] |
6. Marie-Luise Angerer «Postsexual Bodies. The Making of ... Desire, Digital» was inspired in particular by Donna Haraway's «Manifesto for Cyborgs», which was published in 1984. [4] In her manifesto, the American natural scientist, who teaches at the University of [more] |
7. Marie-Luise Angerer «Postsexual Bodies. The Making of ... Desire, Digital» as well as in the music and pop industry. Judith Butler's «Gender Trouble» [10] and Haraway's «Manifesto for Cyborgs» have to be read together in order to make out the dimensions of the socio-political shifts. The imperative of [more] |
8. Margaret Morse «Sunshine and Shroud: Cyborg Bodies and the Collective and Personal Self» Writing Cyborgs: Invoking Monsters Donna Haraway’s «The Cyborg Manifesto» (1985) does not invoke a mix of flesh, electronics and steel, nor does it espouse a war of humanity against the machines [1] . [more] |