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1.  Diedrich Diederichsen «Montage / Sampling / Morphing. On the Triassic of Aesthetics / Techniques / Politics»[6] In particular in this last and particularly interesting use cf. Walter Benjamin, «Der Autor als Produzent,» in Gesammelte Schriften, Rolf Tiedemann/Hermann Schweppenhäuser (eds.), vol. 2, Frankfurt/Main, 1972, pp. 697ff., which of course can be found throughout Benjamin's The Arcades Project, trans. Howard Eiland/Kevin McLaughlin, Cambridge, MA/London, 1999. [more]  |
