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Categories: Sources: 3 Text passages
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1.  Dieter Daniels «Media → Art / Art → Media
Forerunners of media art in the first half of the twentieth century»ideologies as the Russian Revolution and German and Italian Fascism. Walter Benjamin's epoch-making 1936 essay «The Work of Art in the Age of Mechanical Reproduction»[3]also addresses the social and political ineffectuality of the avant-garde and for the first time provides an [more]  |
| 2. Heike Helfert «Technological Constructions of Space-Time
Aspects of Perception» not have developed without fundamental technological preconditions. Walter Benjamin already emphasized in his essay on «The Work of Art in the Age of Technical Reproduction»[1] the interlinking connections between new technologies and new art forms and the resultant formation of patterns of [more] |
| 3. Rudolf Frieling «Form Follows Format
Tensions, Museums, Media Technology, and Media Art» of the auratic original and the self-contained work–often described, beginning Walter Benjamin's famous essay «The Work of Art in the Age of Mechanical Reproduction»[19]–shook the foundations of the art market and art history. It has also become clear that an anti-institutional impetus and [more] |
