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Categories: Sources: 2 Text passages
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1.  Golo Föllmer «Audio Art»[24] Cf. John Cage, «Composition as Process. Part II: Indeterminacy,» reprinted in Media Art Action—The 1960s and 1970s in Germany, Rudolf Frieling /Dieter Daniels (eds.), Vienna/New York 1997, S. 30–33. While Cage initially noted precise instructions for the results of chance operations, when it developed into ‹indeterminacy› around the end of the 1950s the score now contained considerably more interpretational scope. Cf. Kyle Gann, American Music in the Twentieth Century, New York, 1997, pp. 136f. [more]  |
| 2. Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life» [13] John Cage, «Composition as Process. Part II: Indeterminacy,» lecture held in Darmstadt in 1958, published in John Cage, Silence (1961); extracts reprinted in Media Art Action, op. cit., p. 33. [more] |
