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1.  Inke Arns «Social Technologies
Deconstruction, subversion, and the utopia of democratic communication»this was long before happenings and performance were discussed in the art context.[6] Central to Guy Debord's «Rapport sur la construction des situations,» which appeared in the late 1950s, was «the demand not to limit oneself to producing works of art any more, but [more]  |
