| Note: If you see this text you use a browser which does not support usual Web-standards. Therefore the design of Media Art Net will not display correctly. Contents are nevertheless provided. For greatest possible comfort and full functionality you should use one of the recommended browsers. |
Categories: Video: 3 Text passages
| Hits |
1.  Verena Kuni «Mythical Bodies II. Cyborg configurations as formations of (self-)creation in the imagination space of technological (re)production (II): The promises of monsters and posthuman anthropomorphisms»A Journey Through Shifting Identities» (1999), Hans Scheirl's cyborg splatter science fiction «Dandy Dust» (1998), and Shu Lea Cheang's science [more]  |
| 2. Yvonne Volkart «Monstrous Bodies: The Disarranged Gender Body as an Arena for Monstrous Subject Relations» the same time they are also their resistant traversals and effects. The protagonists who appear in media art projects such as «Dandy Dust,» «I.K.U.,» «Dollspace,» or «Host» embody these kinds of unruly and distopian/utopian [more] |
| 3. Marie-Luise Angerer «Postsexual Bodies. The Making of ... Desire, Digital» bases, but instead political, sexual markings that can be charged with meaning according to the prevailing context. «Dandy Dust» (1998) by Hans Scheirl is an impressive cinematic example of this. This film is not concerned either with cyberspace or [more] |
