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Keywords: Interaction: 1 Text passage
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1.  Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life»[23] Wolf Vostell's «Elektronischer dé-coll/age Happeningraum» (1968) can be cited as an example. Composed entirely of kinetically or electronically moved materials, it was presented on a large, flat base with the result that the museum-like aspect took predominance over the immersive aspect in particular. Flying under the flag of the «happening space,» the autonomy of the artwork stealthily crept back into the practice of the Dé-collagists. [more]  |
