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1.  Heike Helfert «Technological Constructions of Space-Time
Aspects of Perception»possibilities than in extending their aesthetic and usually abstract studies to the new medium of film.[10] For «Le Retour à la Raison,» already made in 1923 on the occasion of the «Soirée Dada du Coeur à Barbe,» Man Ray strew [more]  |
