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1.  Inke Arns «Social Technologies
Deconstruction, subversion, and the utopia of democratic communication»1975), reduces the screenplay to a «Scham-Werk» (1973–1976) and the performance treatment «Die neue leibhaftige Zeichensprache» (1975) restricts the female body to reduced, almost minimalist symbols. Martha Rosler's video «Semiotics of [more]  |
