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1.  Gregor Stemmrich «Art and Cinematography»in the first half of the century to allow film to make an impact as an expressive artistic medium in its own right. But the Situationismus [3] movement presented a situation of a different kind after the Second World War. Instead of withdrawing into the context of [more]  |
| 2. Thomas Levin «Dismantling the Spectacle: The cinema of Guy Debord »Ciné qua non«: Guy Debord and Filmic Practice as Theory» television and cinema. Typical in this regard is the American edition of Debord´s paratactic theoretical text »Society of the Spectacle« (hereafter referred to as SoS), where cinematic iconography dominates not only the front and back covers—which [more] |
