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Keywords: Documentation: 3 Text passages
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1.  Susanne Holschbach «Continuities and differences between photographic and post-photographic»intermediality—the connection of photo/book, text/image—began with the publication of Talbot's book «The Pencil of Nature.» [35] However, prior to the 1880s this connection was associated with a small number of copies, as photographs were [more]  |
| 2. Anette Hüsch «Artistic Concepts Linked to the Transition from Analog to Digital Photography» of photographic images. Sometimes in the technical process of image production, as in Henry Fox Talbot’s «Pencil of Nature» (1844–1846) and sometimes not quite in the image itself, but rather searched for in the subjective perceiving [more] |
| 3. Jens Schröter «Archive—post/photographic» under the sign of the digital. Form divorced from matter—The «monument archive photography» In «The Pencil of Nature» (1844), the first book ever published on photography, William Henry Fox Talbot wrote that the camera «delineates [more] |
