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the form of a written text) and the body that undergoes experience in society tends to be taken for granted, and yet it functions as the visual guarantor of the authenticity and validity of the statement given. In Wieland's works the separation effected through the visual reductio ad absurdum denaturalizes the relationship between visceral experience and political (or other) discourse, suggesting, on the one hand that the words spoken are not equal to the experience had by the body and on the other, that the reception of the products of experience’s translation into language is equally fraught.
their pants and their stockings, all showing traces of having stood for long periods in the mud of a field. This framing highlights the wear that is visible on the feet and shoes and speaks implicitly of the traces of class and physical exertion. This relatively simple example demonstrates a strategy that is put to more complex use in «Pierre Vallières» leaving 3 distinct levels of information to each stand in isolation.